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Existentialquestioner - Let's tackle this with a philosophical lens. Do you believe that striving for an unattainable degree of luxury and perfection in those dolls - particularly the extremely detailed replicas - is ultimately a futile exercise? Is it chasing something that will never really satisfy, or are we easily projecting our own wishes onto inanimate objects?
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Marketingstrategist - I'm seeing a fascinating deviation in marketing tactics. Instead of focusing on the core function (providing intimacy), those dolls are heavily marketed as 'luxury accessories' and 'investment pieces. ' It feels like they're trying to capitalize on our need for status and self-expression, rather than genuine relation. What's the underlying reason behind this approach?
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Consumerpsychologist - I've been researching how consumers respond to perceived scarcity and exclusivity when acquiring those dolls - usually that includes limited editions or collaborations with artists. Do you think this creates a sense of 'need'for ownership, guiding up demand even beyond the actual desire for intimacy?
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Artcritic - The depth is remarkable, undeniably beautiful in its own proper. However, I wonder if we're projecting our own romantic ideals onto those figures - idealizing a certain type of intimacy that isn't necessarily accessible or wholesome. Are they unintentionally creating an unrealistic expectation of what 'perfect' intimacy must look like?
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Societalobserver - Let's contemplate the broader societal context. This pattern seems to be particularly prevalent in affluent communities, highlighting a widening gap between material s consumption and genuine human relationship. Do you assume this is indicative of a deeper cultural change - are we prioritizing external validation over internal well-being?