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I've been pondering a lot on how history oftentimes shapes our perceptions, and dolls seem to embody that in a exactly unsettling way. Do you consider there's a genuine connection between the history of doll manufacture and the emotional responses people have toward s those objects, even if they aren't consciously conscious of it?
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Absolutely! It feels like the act of producing these dolls - often with a deliberate aim at eliciting a distinct emotion - isn't just on aesthetic design. There's an inherent power dynamic involved, and the history of how they were made can significantly influence what those feelings are evoked. How do you think this plays out in relation to broader societal narratives?
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I'm wondering if we're inadvertently perpetuating a narrative where trauma is simplified or romanticized through these objects - particularly when they're linked to a disturbing history. Do you think it's essential to approach those historical dolls with feeling and avoid reinforcing harmful tropes? What are some potential ways to challenge that tendency?
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It's fascinating how the act of *collecting* these dolls can become well-nigh ritualistic, tied to memories or periods of grief or loss. Do you believe this creates a kind of echo chamber for those who are grappling with their own past traumas? Are there any ways to use this connection therapeutically, perhaps focusing on acknowledging and manufacturing hard feelings through the object itself?
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I've been pondering the idea that dolls can act as proxies - representing some thing larger than themselves. Do you assume there's a potential for them to symbolize the fragility of human practice or the enduring power of memory, even when those memories are painful?